bb15 Termine bb15 urn:uuid:bb15/at <![CDATA[ Whereabouts ]]> urn:uuid:bb15/at/termine/Whereabouts 2019-04-29T11:06:06Z <h1>Whereabouts <small>Anna Schimkat / Georg Pinteritsch</small></h1><br /><div class='when'>Wann? <span>21.05.2019 19:30</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><div> <div><span style="font-weight: bold;">Opening</span></div> <div>Tuesday May 21st, 2019, 7:30 pm</div> </div> <div><br /><strong>Opening hours</strong><br />22nd to 31st of May, 3 to 6 pm<br />Saturday and Sunday closed&nbsp;&nbsp;</div> <div><img src="/f/termine/Whereabouts/Titel_grafix.jpg" alt="" /></div> <div><br /> <div>Anna Schimkat and Georg Pinteritsch use the concept of guidance in their works in different ways. Paths and connections between certain positions, interruptions, disturbances and the natural pathfinding play important roles. While Georg Pinteritschs pictures propose a hidden order through the positioning of the figures, luring the viewer into a subordinate structure, Anna Schimkat is investigating how we are positioning our self in space by acoustic means. She scrutinizes the individual perception of our daily sound environment in a space-time-composition possibly guiding us through the labyrinth.</div> <div><a title="Anna Schimkat" href="" target="_blank"><br />Anna Schimkat</a></div> <div><a title="Georg Pinteritsch" href="" target="_blank"><br />Georg Pinteritsch</a></div> </div> <![CDATA[ Buffering ]]> urn:uuid:bb15/at/termine/Buffering 2019-04-02T15:46:35Z <h1>Buffering <small>Paola Pasquaretta / Michele Bazzana</small></h1><br /><div class='when'>Wann? <span>09.04.2019 - 16.04.2019</span></div><div class='where'>Wo? <span></span></div><br /><br /><p><strong>Exhibition Opening<br /></strong><span>April 9</span><sup>th</sup><span>, 19:30</span></p> <p><strong>Opening Hours<br /></strong><span>April 10</span><sup>th</sup><span>&nbsp;&ndash; 16</span><sup>th</sup><span>, 15:00 - 18:00<br /></span>Saturday and Sunday closed</p> <p>&nbsp;</p> <p>&ldquo;Sometimes our research has points of contact. At that moment we feel free from our personal work, we move from our individual characters to join like Daitarn 3.&rdquo;</p> <p>Through the study of events that took place in specific territories, Paola Pasquaretta reflects on man's ability to relate to natural or artificial landscapes that have become abnormal. Her works combine photography, sculpture, 3D printing and video, maintaining strong ties with the places they originate from.</p> <p>Michele Bazzana utilizes diverse objects, devices, toys and everyday materials to emphasize the paradoxical nature of their automatic or mechanized processes. The associations he creates between image and function reveal a universe of anthropomorphic devices that become unlikely metaphors for our thoughts, impulses, emotions and behaviours.</p> <p>In their residency at bb15, Paola Pasquaretta and Michele Bazzana will work on what the virtual world allows us to put into practice in the real one, focussing on the boundaries between popular sayings and science that are involved when one realizes the fantasies of others through online tutorials: Stealing a sold-off wisdom to reveal its poetics.</p> <![CDATA[ Rapid Song Prototyping ]]> urn:uuid:bb15/at/termine/Rapid_Song_Prototyping 2019-03-08T10:01:58Z <h1>Rapid Song Prototyping <small>Jens Vetter</small></h1><br /><div class='when'>Wann? <span>09.03.2019 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p><strong>Workshop</strong><br />March 9th, 11:00 - 17:00</p> <p><strong>Presentation/Concert</strong><br />March 9th, 19:30</p> <p>In this workshop easily accessible organisational means, documentation strategies and basic structures of music are presented, through which a quick access to finished pieces can be achieved. On the basis of experiments with electronic devices, instruments, open software, etc. we will discuss, learn and apply the principles of "rapid song prototyping".</p> <p>Jens Vetter is an artist, musician, performer and developer for post-digital sound objects and instruments. He is currently working as a research assistent and PhD candidate at Tangible Music Lab, Linz.</p> <p><strong>Workshop </strong><br />March 9th, 11:00 - 17:00<br />Fee: 0 Euro<br />Registration: Ended (Workshop is full)</p> <p>Bring with you (optional)</p> <p>- Musical tools, e.g. Laptop with SuperCollider or PD<br /> - analog synthesizers, instruments, effects, circuits, mic, etc.</p> <p><strong>Presentation/Concert</strong><br />March 9th, 19:30</p> </div> </div> </div> <![CDATA[ A Recollection of Resonances ]]> urn:uuid:bb15/at/termine/A_Recollection_of_Resonances 2018-12-04T06:35:59Z <h1>A Recollection of Resonances <small>bb15’s 10-Year Anniversary Exhibition</small></h1><br /><div class='when'>Wann? <span>07.12.2018 19:00 - 14.12.2018</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><p><img src="/f/termine/A_Recollection_of_Resonances/flyer_small.jpg" alt="" /></p> <p><span>This retrospective exhibition celebrates bb15's 10 year anniversary and introduces the new space to the public for the first time. bb15 would like to use this occasion to thank all the artists and the public gravitating around its space, for supporting it throughout the years.<br /><br />The 10 years anniversary encompasses around 40 artists from numerous countries and is a non-thematic, dense and exuberant exhibition. The show creates an associative overview of bb15&rsquo;s exhibition practice, displaying the diversity of ideas and approaches within its community, giving the opportunity to build unpredictable links between the presented artworks.<br /><br />Jan Adriaans<br />Laurien Bachmann<br />Steve Bates<br />Marita Bullmann<br />Pierre Berthet<br />Sam Bunn<br />Julian Day<br />Paul Devens<br />ekw14,90<br />Karin Fisslthaler<br />Helen Anna Flanagan<br />Gabriela Gordillo <br />Jonas Geise<br />Nicola Genovese<br />Miriam Hamann<br />Michael Heindl<br />Monique Hendrikson<br />Mascha Illich<br />FAXEN<br />Kleft<br />Annette Knol<br />Franz Koppelst&auml;tter <br />Andreas Kurz<br />Yoojin Lee<br />Andrea L&uuml;th<br />Rie Nakajima<br />Doris Prlic<br />Pio Rahner<br />Linus Riepler<br />Kristen Roos<br />Samuel Schaab<br />Liddy Scheffknecht<br />Tim Shaw<br />Bartholom&auml;us Traubeck<br />Andr&eacute; Tschinder<br />Julian Turner<br />Philip Ullrich<br />Wouter Van der Hallen<br />Janneke Van der Putten<br />Fernando Vigueras<br />Gloria Zein<br />and more...</span></p> <p>During the opening, bb15 will also launch its new publication.<br />bb15 dj-team will take care of the party.</p> <p><strong>Exhibition Opening</strong><br />December 7th, 2018, 7pm</p> <p><strong>Opening Hours</strong><br />December 10th &ndash; 14th, 3 &ndash; 6pm</p> <![CDATA[ WENN MÖGLICH, MIT STROM ]]> urn:uuid:bb15/at/termine/WENN_M_GLICH_MIT_STROM 2018-10-30T18:37:36Z <h1>WENN MÖGLICH, MIT STROM <small>Workshop</small></h1><br /><div class='when'>Wann? <span>30.11.2018 17:00 - 02.12.2018 20:00</span></div><div class='where'>Wo? <span> Clubraum</span></div><br /><br /><div class="field field-name-body field-type-text-with-summary field-label-hidden"> <div class="field-items"> <div class="field-item even">Hat dein Nudelsieb keinen Motor?<br />Ist dein Stromverbrauch noch zu gering?<br />Wie kannst du ohne ein drehendes Aquarium leben?<br />Hast du noch keine selbstfahrende T&uuml;rstopper? In Russland voll im Trend!<br />Was? Deine Katze ist noch immer analog!!"=??!1 <p>Es ist Zeit endlich mal was dagegen zu tun!</p> <p><strong>WORKSHOP </strong>- im Kooperation mit <a href="" target="_blank"></a><br /> 30.11. - 2.12.2018, Clubraum</p> <p><strong>Bitte mitbringen:</strong><br /> &nbsp;&nbsp;&nbsp; ein Ding mit Strom<br /> &nbsp;&nbsp;&nbsp; ein Ding ohne Strom</p> <p>Unkostenbeitrag: 15 Euro</p> <p><strong>Anmeldung:</strong> <a href=""></a><br /> Teilnehmer*Innenanzahl begrenzt.</p> <p><img src="/f/termine/WENN_M_GLICH_MIT_STROM/strom-2.png" alt="" width="581" height="435" /></p> </div> </div> </div> <![CDATA[ Socken Zone ]]> urn:uuid:bb15/at/termine/Socken_Zone 2018-10-04T08:29:45Z <h1>Socken Zone <small>Kleft</small></h1><br /><div class='when'>Wann? <span>23.10.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"><strong>Exhibition Opening</strong><br />October 23nd, 19:30 <p><strong>Opening Hours</strong><br />October 24th &ndash; 30th, 15:00 - 18:00 <br />Saturday / Sunday closed</p> <p><img src="/f/termine/Socken_Zone/EinladungFinaleC.jpg" alt="" width="566" height="800" /></p> <p>Come closer and examine the remnants of audacious human dwelling. But make sure you lose your shoes first! This ground is too delicate, its treasures of former times too easily blurred. Both archive of humanity and place of longing, the sock zone is the mystic result of immense dares and courageous ideas.</p> <p>Making use of both artistic and scientific methods, Kleft grew to become the world&rsquo;s most renowned Specialist in poetic excavationism. Set between DIY and high-tech attitude, Kleft&rsquo;s work scrutinises the atomistic myth of the individual itself while constantly unveiling the beholder&rsquo;s inner child.</p> </div> </div> </div> <![CDATA[ Artist Talk ]]> urn:uuid:bb15/at/termine/Artist_Talk_ 2018-09-26T13:50:23Z <h1>Artist Talk <small>Catherine Lorent</small></h1><br /><div class='when'>Wann? <span>04.10.2018 17:00</span></div><div class='where'>Wo? <span>Kunstuniversität Linz Domgasse 1, 4. Stock, Raum DO 0425 </span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p><strong>Artist Talk at Kunstuniversit&auml;t Linz<br />Domgasse 1, 4. Stock, Raum DO 0425</strong><br />October 4th, 17:00</p> <p>Seit ihrem Beitrag für den luxemburgischen Pavilion auf der 55. Biennale in Venedig ist Catherine Lorent auf allen wichtigen Kunstschauen vertreten. In ihrer Arbeit greift sie auf komplexe, barocke Strategien zurück und transformiert diese in ein Gesamtkunstwerk. Anlässlich ihrer aktuellen Ausstellung <span style="font-size: 9pt; font-family: &quot;ThornRegular&quot;; color: #171513;">Relegation_</span><em>flexus </em>im bb15 ergibt sich die Gelegenheit Catherine Lorent im Rahmen eines Künstlerinnen Gesprächs kennen zu lernen.</p> <p>Durch das Gespräch führt die Kuratorin der Ausstellung Daniela Wageneder-Stelzhammer.</p> <p><span style="font-size: 8pt; font-weight: 300; font-family: &quot;HelveticaNeue&quot;; color: #171513;"><img src="/f/termine/Artist_Talk_/PC070125.jpg" alt="" width="668" height="500" /></span></p> <div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p>Picture: Catherine Lorent, live with HERTZANGST-Tom Früchtl (Guitar), John von Bergen (Drums) at Ex n&lsquo;Pop Berlin, Photo: Thomas Draschan</p> </div> </div> </div> </div> </div> </div> <![CDATA[ Relegation_Flexus ]]> urn:uuid:bb15/at/termine/Relegation 2018-09-26T16:05:05Z <h1>Relegation_Flexus <small>Catherine Lorent</small></h1><br /><div class='when'>Wann? <span>02.10.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"><strong>Exhibition Opening and Performance</strong><br />October 2nd, 19:30 <div class="layoutArea"> <div class="column"> <p><strong>Opening Hours</strong><br />October 3rd &ndash; 5rd, 15:00 - 19:00</p> <p><strong>Artist Talk at Kunstuniversit&auml;t Linz<br />Domgasse 1, 4. Stock, Raum DO 0425</strong><br />October 4th, 17:00</p> <p>With <span style="font-size: 9pt; font-family: &quot;ThornRegular&quot;; color: #171513;">Relegation_</span><em>flexus</em> the Luxembourg artist Catherine Lorent translates complex Baroque strategies into a total work of art, creating an audio-visual environment for the bb15. This work is an adapted version of a series, which she developed for the Luxembourg pavilion of the 55th Biennale in Venice 2013.</p> <p>"It is literally an immersion into what I would call a constellation, an atmospheric space. In any case, Relegation simultaneously engages the eye and the ear; there is no gap between the two. Nothing is detached or deferred. Everything is open and instantaneous. What I try to create is an immediate emotion.&rdquo; (Catherine Lorent)</p> <p>curated by Daniela Wageneder-Stelzhammer</p> </div> </div> </div> <p><img src="/f/termine/Relegation/Visual Linz2.jpg" alt="" width="600" height="709" /></p> <p>Guitar Constellation - Der alte Weg, 2013</p> <p>ink, mixed techniques, Gibson Explorer<br />customized on paper 147 x 117,5 cm<br />Photo: Artothek Cologne</p> <div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p>Sponsored by</p> <p><img src="/f/termine/Relegation/91c37293a31cf7de148b8849f8c8502f.jpeg" alt="" width="71" height="46" />&nbsp;&nbsp;&nbsp; <img src="/f/termine/Relegation/CHARTE_GRAPHIQUE_FOCUNA.jpg" alt="" width="105" height="52" /></p> </div> </div> </div> <![CDATA[ The Dis/ease/s of the Ear ]]> urn:uuid:bb15/at/termine/Black_Seas_Anti-Wave 2018-06-26T10:55:54Z <h1>The Dis/ease/s of the Ear <small>Steve Bates, Kristen Roos</small></h1><br /><div class='when'>Wann? <span>26.06.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p><strong>Exhibition Opening and Performance</strong><br />June 26th, 19:30</p> <p><strong>Opening Hours</strong><br />June 27th &ndash; July 3rd, 15:00 - 18:00 <br />Saturday / Sunday closed</p> <p><img src="/f/termine/Black_Seas_Anti-Wave/EaseOfEarpic.jpg" alt="" width="639" height="357" /></p> <div class="column"><br /></div> <div class="column"><strong>Steve Bates</strong> is an artist and musician living in Montr&eacute;al. His work listens to boundaries and borders,<br />points of contact and conflict. Thresholds are explored, stretched and, at times, completely broken.<br />Information and signal feed back onto themselves creating new situations and events. The sonic is the<br />starting point for his projects which are evocations of communication networks and systems, or<br />expressions of spatial and temporal experience. He frequently uses sound material that is site-specific in<br />an attempt to uncover place and how the sonic effects our experience of site. His work has been<br />exhibited in Canada, Chile, Europe and Senegal. He works in the field, on the air, in museological/gallery<br />and performance contexts. These shifting territories reflect the content of his practice.</div> <div class="column"><br /></div> <div class="column"><strong>Black Seas </strong>is an ongoing project influenced by historical and contemporary experiences of auditory<br />hallucination. This growing body of work includes performance, installation, video, transmission, objects<br />and materials. It consults documents from literature, cognitive science, early experimental psychiatry,<br />philosophy and religious studies, telecommunications and sound studies, 18th century psychic journals,<br />horror films, and shared stories and oral histories. It is a project about listening to noise through desire,<br />agency and otherness.</div> <div class="column"><br />For the exhibition at bb15, Bates will install an assemblage of some of the work produced to date.</div> <div class="column"><br />With Black Seas I became fascinated with how a sound could exist and simultaneously not exist. Of a<br />radical interiority and how it meets an exterior. Of all the hearers, is a project about a weird listening. A<br />listening, as Mark Fisher described it when theorizing the weird and the eerie via H.P. Lovecraft, where<br />two worlds are brought together; the external and the internal. A weird listening is one that &ldquo;lies beyond<br />standard perception, cognition, and experience.&rdquo;</div> <div class="column"><br /></div> <div class="column">More info:</div> <div class="column"><a href="" target="_blank"></a><br /><a href="" target="_blank"></a></div> <div class="column"><br /></div> </div> <div class="column"><br /></div> <div class="column"><br /></div> <div class="column"><strong>Kristen Roos</strong> is a Vancouver based artist whose practice includes site-specific installations, performance, and sound design for dance.<span style="font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; color: #1d2129;"> Kristen holds a BFA from Concordia University and an MFA from the University of Victoria. His writing on sound and radio art appears in the Radius GRIDS booklet published by Half Letter Press (Chicago), the Errant Bodies publication Radio</span><span style="font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; color: #1d2129;"> Territories (Berlin) and the New Star Books publication Islands of Resistance: Pirate Radio in Canada (Vancouver).</span></div> <div class="column"><br /><strong>Anti-Wave </strong>examines the silent electromagnetic transmissions that are ubiquitous today. These inaudible frequencies are received with devices that recognize them not as information, but as something similar to the unwanted sounds that were heard in early radio reception. A hidden infrastructure is revealed by translating these frequencies into audible sounds -&nbsp; a process that dissects the wireless devices that embody our lives and examines the relationships between people and the objects that inhabit their daily rituals. The installation allows new daily rituals to be created, through the use of textiles which block the frequencies emitted by wireless devices, drawing attention to possible health effects and emf hypersensitivity.</div> <div class="column"><br /></div> <div class="column">More info:<br style="color:#1d2129;font-family:&quot;Helvetica Neue&quot;,Helvetica,Arial,sans-serif;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:#ffffff;text-decoration-style:initial;text-decoration-color:initial" /> <a style="color: #365899; text-decoration: none; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff;" href="" target="_blank"></a></div> <div class="column"><br /></div> </div> </div> <![CDATA[ SUBSUMME - online Spiel let's play LIVE - Folge 2 (eastereggs, favorite spots, trivia) ]]> urn:uuid:bb15/at/termine/SUBSUMME_-_online_Spiel_let_s_play_LIVE_-_Folge_2_eastereggs_favorite_spots_trivia_ 2018-05-27T08:10:24Z <h1>SUBSUMME - online Spiel let's play LIVE - Folge 2 (eastereggs, favorite spots, trivia) <small>ekw14,90</small></h1><br /><div class='when'>Wann? <span>19.06.2018 19:30</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><div class="page" title="Page 2">Event:<strong><br />Dienstag, 19.6.2018 </strong> <div class="layoutArea"> <div class="column"> <p>Einlass: 19:30 <br />Liveübertragung: 20:15</p> <p>*SUBSUMME*, ursprünglich ein Telefonvermittlungshörstück, dann ein online Spiel, später auch ein Buch mit begleitenden Lesungen...Jetzt, als letztes Aufbäumen, als Tüpfelchen auf dem Verwertungs-i, in die Postinternet-Form eines live let's play aus Zürich gegossen.</p> <p>Für Interessierte, die es nicht schaffen ins bb15 zu kommen, gibt es das live let's play auch ortsungebunden auf Youtube:</p> <p>Das Buch *SUBSUMME - ein Lesedrama* kann man am Abend des Events auch kaufen.</p> <img src="/f/termine/SUBSUMME_-_online_Spiel_let_s_play_LIVE_-_Folge_2_eastereggs_favorite_spots_trivia_/SUJET-Flyer-bb15.jpg" alt="" width="650" height="454" /></div> </div> </div>