bb15 Termine bb15 urn:uuid:bb15/at <![CDATA[ WENN MÖGLICH, MIT STROM ]]> urn:uuid:bb15/at/termine/WENN_M_GLICH_MIT_STROM 2018-10-30T18:37:36Z <h1>WENN MÖGLICH, MIT STROM <small>Workshop</small></h1><br /><div class='when'>Wann? <span>30.11.2018 17:00 - 02.12.2018 20:00</span></div><div class='where'>Wo? <span>servus.at Clubraum</span></div><br /><br /><div class="field field-name-body field-type-text-with-summary field-label-hidden"> <div class="field-items"> <div class="field-item even">Hat dein Nudelsieb keinen Motor?<br />Ist dein Stromverbrauch noch zu gering?<br />Wie kannst du ohne ein drehendes Aquarium leben?<br />Hast du noch keine selbstfahrende T&uuml;rstopper? In Russland voll im Trend!<br />Was? Deine Katze ist noch immer analog!!"=??!1 <p>Es ist Zeit endlich mal was dagegen zu tun!</p> <p><strong>WORKSHOP </strong>- im Kooperation mit <a href="https://core.servus.at" target="_blank">servus.at</a><br /> 30.11. - 2.12.2018, servus.at Clubraum</p> <p><strong>Bitte mitbringen:</strong><br /> &nbsp;&nbsp;&nbsp; ein Ding mit Strom<br /> &nbsp;&nbsp;&nbsp; ein Ding ohne Strom</p> <p>Unkostenbeitrag: 15 Euro</p> <p><strong>Anmeldung:</strong> <a href="mailto:strom@bb15.at">strom@bb15.at</a><br /> Teilnehmer*Innenanzahl begrenzt.</p> <p><img src="/f/termine/WENN_M_GLICH_MIT_STROM/strom-2.png" alt="" width="581" height="435" /></p> </div> </div> </div> <![CDATA[ Socken Zone ]]> urn:uuid:bb15/at/termine/Socken_Zone 2018-10-04T08:29:45Z <h1>Socken Zone <small>Kleft</small></h1><br /><div class='when'>Wann? <span>23.10.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"><strong>Exhibition Opening</strong><br />October 23nd, 19:30 <p><strong>Opening Hours</strong><br />October 24th &ndash; 30th, 15:00 - 18:00 <br />Saturday / Sunday closed</p> <p><img src="/f/termine/Socken_Zone/EinladungFinaleC.jpg" alt="" width="566" height="800" /></p> <p>Come closer and examine the remnants of audacious human dwelling. But make sure you lose your shoes first! This ground is too delicate, its treasures of former times too easily blurred. Both archive of humanity and place of longing, the sock zone is the mystic result of immense dares and courageous ideas.</p> <p>Making use of both artistic and scientific methods, Kleft grew to become the world&rsquo;s most renowned Specialist in poetic excavationism. Set between DIY and high-tech attitude, Kleft&rsquo;s work scrutinises the atomistic myth of the individual itself while constantly unveiling the beholder&rsquo;s inner child. http://juergenkleft.com</p> </div> </div> </div> <![CDATA[ Artist Talk ]]> urn:uuid:bb15/at/termine/Artist_Talk_ 2018-09-26T13:50:23Z <h1>Artist Talk <small>Catherine Lorent</small></h1><br /><div class='when'>Wann? <span>04.10.2018 17:00</span></div><div class='where'>Wo? <span>Kunstuniversität Linz Domgasse 1, 4. Stock, Raum DO 0425 </span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p><strong>Artist Talk at Kunstuniversit&auml;t Linz<br />Domgasse 1, 4. Stock, Raum DO 0425</strong><br />October 4th, 17:00</p> <p>Seit ihrem Beitrag für den luxemburgischen Pavilion auf der 55. Biennale in Venedig ist Catherine Lorent auf allen wichtigen Kunstschauen vertreten. In ihrer Arbeit greift sie auf komplexe, barocke Strategien zurück und transformiert diese in ein Gesamtkunstwerk. Anlässlich ihrer aktuellen Ausstellung <span style="font-size: 9pt; font-family: &quot;ThornRegular&quot;; color: #171513;">Relegation_</span><em>flexus </em>im bb15 ergibt sich die Gelegenheit Catherine Lorent im Rahmen eines Künstlerinnen Gesprächs kennen zu lernen.</p> <p>Durch das Gespräch führt die Kuratorin der Ausstellung Daniela Wageneder-Stelzhammer.</p> <p><span style="font-size: 8pt; font-weight: 300; font-family: &quot;HelveticaNeue&quot;; color: #171513;"><img src="/f/termine/Artist_Talk_/PC070125.jpg" alt="" width="668" height="500" /></span></p> <div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p>Picture: Catherine Lorent, live with HERTZANGST-Tom Früchtl (Guitar), John von Bergen (Drums) at Ex n&lsquo;Pop Berlin, Photo: Thomas Draschan</p> </div> </div> </div> </div> </div> </div> <![CDATA[ Relegation_Flexus ]]> urn:uuid:bb15/at/termine/Relegation 2018-09-26T16:05:05Z <h1>Relegation_Flexus <small>Catherine Lorent</small></h1><br /><div class='when'>Wann? <span>02.10.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"><strong>Exhibition Opening and Performance</strong><br />October 2nd, 19:30 <div class="layoutArea"> <div class="column"> <p><strong>Opening Hours</strong><br />October 3rd &ndash; 5rd, 15:00 - 19:00</p> <p><strong>Artist Talk at Kunstuniversit&auml;t Linz<br />Domgasse 1, 4. Stock, Raum DO 0425</strong><br />October 4th, 17:00</p> <p>With <span style="font-size: 9pt; font-family: &quot;ThornRegular&quot;; color: #171513;">Relegation_</span><em>flexus</em> the Luxembourg artist Catherine Lorent translates complex Baroque strategies into a total work of art, creating an audio-visual environment for the bb15. This work is an adapted version of a series, which she developed for the Luxembourg pavilion of the 55th Biennale in Venice 2013.</p> <p>"It is literally an immersion into what I would call a constellation, an atmospheric space. In any case, Relegation simultaneously engages the eye and the ear; there is no gap between the two. Nothing is detached or deferred. Everything is open and instantaneous. What I try to create is an immediate emotion.&rdquo; (Catherine Lorent)</p> <p>curated by Daniela Wageneder-Stelzhammer</p> </div> </div> </div> <p><img src="/f/termine/Relegation/Visual Linz2.jpg" alt="" width="600" height="709" /></p> <p>Guitar Constellation - Der alte Weg, 2013</p> <p>ink, mixed techniques, Gibson Explorer<br />customized on paper 147 x 117,5 cm<br />Photo: Artothek Cologne</p> <div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p>Sponsored by</p> <p><img src="/f/termine/Relegation/91c37293a31cf7de148b8849f8c8502f.jpeg" alt="" width="71" height="46" />&nbsp;&nbsp;&nbsp; <img src="/f/termine/Relegation/CHARTE_GRAPHIQUE_FOCUNA.jpg" alt="" width="105" height="52" /></p> </div> </div> </div> <![CDATA[ The Dis/ease/s of the Ear ]]> urn:uuid:bb15/at/termine/Black_Seas_Anti-Wave 2018-06-26T10:55:54Z <h1>The Dis/ease/s of the Ear <small>Steve Bates, Kristen Roos</small></h1><br /><div class='when'>Wann? <span>26.06.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p><strong>Exhibition Opening and Performance</strong><br />June 26th, 19:30</p> <p><strong>Opening Hours</strong><br />June 27th &ndash; July 3rd, 15:00 - 18:00 <br />Saturday / Sunday closed</p> <p><img src="/f/termine/Black_Seas_Anti-Wave/EaseOfEarpic.jpg" alt="" width="639" height="357" /></p> <div class="column"><br /></div> <div class="column"><strong>Steve Bates</strong> is an artist and musician living in Montr&eacute;al. His work listens to boundaries and borders,<br />points of contact and conflict. Thresholds are explored, stretched and, at times, completely broken.<br />Information and signal feed back onto themselves creating new situations and events. The sonic is the<br />starting point for his projects which are evocations of communication networks and systems, or<br />expressions of spatial and temporal experience. He frequently uses sound material that is site-specific in<br />an attempt to uncover place and how the sonic effects our experience of site. His work has been<br />exhibited in Canada, Chile, Europe and Senegal. He works in the field, on the air, in museological/gallery<br />and performance contexts. These shifting territories reflect the content of his practice.</div> <div class="column"><br /></div> <div class="column"><strong>Black Seas </strong>is an ongoing project influenced by historical and contemporary experiences of auditory<br />hallucination. This growing body of work includes performance, installation, video, transmission, objects<br />and materials. It consults documents from literature, cognitive science, early experimental psychiatry,<br />philosophy and religious studies, telecommunications and sound studies, 18th century psychic journals,<br />horror films, and shared stories and oral histories. It is a project about listening to noise through desire,<br />agency and otherness.</div> <div class="column"><br />For the exhibition at bb15, Bates will install an assemblage of some of the work produced to date.</div> <div class="column"><br />With Black Seas I became fascinated with how a sound could exist and simultaneously not exist. Of a<br />radical interiority and how it meets an exterior. Of all the hearers, is a project about a weird listening. A<br />listening, as Mark Fisher described it when theorizing the weird and the eerie via H.P. Lovecraft, where<br />two worlds are brought together; the external and the internal. A weird listening is one that &ldquo;lies beyond<br />standard perception, cognition, and experience.&rdquo;</div> <div class="column"><br /></div> <div class="column">More info:</div> <div class="column"><a href="http://www.stevebates.info/" target="_blank">http://www.stevebates.info/</a><br /><a href="http://www.stevebates.info/" target="_blank">https://vimeo.com/225275550</a></div> <div class="column"><br /></div> </div> <div class="column"><br /></div> <div class="column"><br /></div> <div class="column"><strong>Kristen Roos</strong> is a Vancouver based artist whose practice includes site-specific installations, performance, and sound design for dance.<span style="font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; color: #1d2129;"> Kristen holds a BFA from Concordia University and an MFA from the University of Victoria. His writing on sound and radio art appears in the Radius GRIDS booklet published by Half Letter Press (Chicago), the Errant Bodies publication Radio</span><span style="font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; color: #1d2129;"> Territories (Berlin) and the New Star Books publication Islands of Resistance: Pirate Radio in Canada (Vancouver).</span></div> <div class="column"><br /><strong>Anti-Wave </strong>examines the silent electromagnetic transmissions that are ubiquitous today. These inaudible frequencies are received with devices that recognize them not as information, but as something similar to the unwanted sounds that were heard in early radio reception. A hidden infrastructure is revealed by translating these frequencies into audible sounds -&nbsp; a process that dissects the wireless devices that embody our lives and examines the relationships between people and the objects that inhabit their daily rituals. The installation allows new daily rituals to be created, through the use of textiles which block the frequencies emitted by wireless devices, drawing attention to possible health effects and emf hypersensitivity.</div> <div class="column"><br /></div> <div class="column">More info:<br style="color:#1d2129;font-family:&quot;Helvetica Neue&quot;,Helvetica,Arial,sans-serif;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:#ffffff;text-decoration-style:initial;text-decoration-color:initial" /> <a style="color: #365899; text-decoration: none; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff;" href="http://www.kristenroos.com/" target="_blank">http://www.kristenroos.com/</a></div> <div class="column"><br /></div> </div> </div> <![CDATA[ SUBSUMME - online Spiel let's play LIVE - Folge 2 (eastereggs, favorite spots, trivia) ]]> urn:uuid:bb15/at/termine/SUBSUMME_-_online_Spiel_let_s_play_LIVE_-_Folge_2_eastereggs_favorite_spots_trivia_ 2018-05-27T08:10:24Z <h1>SUBSUMME - online Spiel let's play LIVE - Folge 2 (eastereggs, favorite spots, trivia) <small>ekw14,90</small></h1><br /><div class='when'>Wann? <span>19.06.2018 19:30</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><div class="page" title="Page 2">Event:<strong><br />Dienstag, 19.6.2018 </strong> <div class="layoutArea"> <div class="column"> <p>Einlass: 19:30 <br />Liveübertragung: 20:15</p> <p>*SUBSUMME*, ursprünglich ein Telefonvermittlungshörstück, dann ein online Spiel, später auch ein Buch mit begleitenden Lesungen...Jetzt, als letztes Aufbäumen, als Tüpfelchen auf dem Verwertungs-i, in die Postinternet-Form eines live let's play aus Zürich gegossen.</p> <p>Für Interessierte, die es nicht schaffen ins bb15 zu kommen, gibt es das live let's play auch ortsungebunden auf Youtube: https://tinyurl.com/ekw1490youtube</p> <p>Das Buch *SUBSUMME - ein Lesedrama* kann man am Abend des Events auch kaufen.</p> <img src="/f/termine/SUBSUMME_-_online_Spiel_let_s_play_LIVE_-_Folge_2_eastereggs_favorite_spots_trivia_/SUJET-Flyer-bb15.jpg" alt="" width="650" height="454" /></div> </div> </div> <![CDATA[ Wavering Worlds #12 ]]> urn:uuid:bb15/at/termine/Wavering_Worlds_12 2018-05-11T07:25:08Z <h1>Wavering Worlds #12 <small>Janneke van der Putten - Un/natural Fields</small></h1><br /><div class='when'>Wann? <span>05.06.2018 19:30</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><p><strong>Sound Performance</strong><br />June 5th, 7:30 pm</p> <p>&nbsp;</p> <p><strong>Janneke van der Putten</strong></p> <p>Janneke van der Putten creates performances where she uses her voice as a physical and sonic material. Singing with different extended techniques, her performances are inspired by rich sound textures. Listening to their minimal changes and variations and responding to the acoustics of the space, Van der Putten works with the (un)controllable possibilities of her instrument. Often the performances are done without electronic amplification in a resonant place.</p> <p><img src="/f/termine/Wavering_Worlds_12/deel 3_photo TAAK - Cobra Museum_performance Janneke van der Putten_2017_web.jpg" alt="" /></p> <p style="margin-bottom: 0in;"><a href="http://jannekevanderputten.nl/" target="_blank"><em>http://jannekevanderputten.nl/</em></a></p> <p style="margin-bottom: 0in;">&nbsp;</p> <p style="margin-bottom: 0in;"><em><strong>Un/natural Fields</strong></em></p> <p style="margin-bottom: 0in;"><em>Un/natural Fields </em>is a new project in which Michael McDermott and William <span style="font-family: Helvetica, sans-serif;">"</span>Bilwa<span style="font-family: Helvetica, sans-serif;">"</span> Costa juxtapose two solo projects, the organic imagined landscapes of the McDermott's <em>Echozoo</em> works in progress and Costa&rsquo;s u<em>nnatural field recordings</em>. Together they create an imaginary listening experience akin to magical realism.</p> <p style="margin-bottom: 0in;"><img src="/f/termine/Wavering_Worlds_12/unnatural_fields_01.jpg" alt="" /></p> <p style="margin-bottom: 0in;">Audio: <em><a href="https://soundcloud.com/bilwa/sets/un-natural-fields" target="_blank">https://soundcloud.com/bilwa/sets/un-natural-fields</a></em></p> <p><br />Michael McDermott</p> <p style="margin-bottom: 0in;">Composer / sound artist Michael McDermott is currently working on a multi-year sonic design project recreating the sounds of extinct animals and environment called <em>Echozoo</em>. Part of this project has involved extended artist residencies in North and South America, Europe and Asia field recording biophonic and geophonic environments for use in sound designing <em>Echozoo</em>. His hope with this project is bring a deeper awareness and connection through listening by imagining the sounds of creatures that no longer live on our planet. Part of the process involves performing and presenting evolving landscapes of these recorded and manipulated environments. The processing of these field recordings implements McDermott&rsquo;s &ldquo;Sonic Photography&rdquo; techniques which include: filtering colors / density, transparency, space, modulation (time based), pitch, shape (edges), duration, augmentation, perspective. For concerts these techniques are applied real-time in an improvised performance.</p> <p style="margin-bottom: 0in;"><em><a href="http://mikronesia.com" target="_blank">mikronesia.com<br /><br /></a></em></p> <p style="margin-bottom: 0in;">William <span style="font-family: Helvetica, sans-serif;">"</span>Bilwa<span style="font-family: Helvetica, sans-serif;">"</span> Costa</p> <p style="margin-bottom: 0in;"><em>unnatural field recordings</em>&nbsp;are recordings comprised of man-made, digital, analogue, and mechanical sounds, as well as many other incidental sounds, which make up a city's soundscape on metros and in public spaces. The palette of sounds is ever changing, and include recordings from various cities including: Istanbul, Mexico City, Shanghai, Beijing, Tokyo, NY, Berlin, Vienna, Prague, etc. William "Bilwa" Costa is a Berlin-based sound artist, experimental musician, performer, and composer.</p> <p style="margin-bottom: 0in;"><em><a href="https://williambilwacosta.com" target="_blank">williambilwacosta.com</a></em></p> <p style="margin-bottom: 0in;">&nbsp;</p> <p><strong>Wavering Worlds</strong></p> <p>The series provides a platform for local and international artists/musicians, who oscillate between various musical and artistic genres. Within the framework of "Wavering Worlds", multiple forms of multi-media performances and concerts are presented.</p> <p>&nbsp;</p> <p><em>Van der Putten&rsquo;s travel to Austria is made possible with the support of</em><span>&nbsp;CBK Rotterdam (Centre for Visual Arts Rotterdam).&nbsp;<img src="/f/termine/CBK logo RGB_100.jpg" alt="" /></span></p> <![CDATA[ Presentation - Voice and Space ]]> urn:uuid:bb15/at/termine/Presentation-_Voice_and_Space 2018-04-12T16:54:34Z <h1>Presentation - Voice and Space <small>Janneke van der Putten</small></h1><br /><div class='when'>Wann? <span>03.06.2018 18:00</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><p>Final public presentation of the previous workshop.<br />Doors open 5:45, start at 6pm.</p> <p>For more than ten years Janneke van der Putten's own voice has been an essential medium for her interactions with landscape, space and contexts, in connection with e.g. natural phenomena, mythologies, cycles and time. In addition to her studies of textile design and Artistic Research Janneke van der Putten learned the North Indian singing "Dhrupad" with Amelia Cuni and Marianne Sva&scaron;ek in Berlin and Rotterdam. The learned technique has been essential for her understanding of the voice as a physical experience and less as a medium for speech or even singing. &ndash; "How can I travel with my voice, my jaw, tongue, spittle, and breath?"</p> <p>Links:</p> <p>Previous workshops<br /><a href="http://jannekevanderputten.nl/tag/workshops/" target="_blank">http://jannekevanderputten.nl/tag/workshops/</a></p> <p>Reactions participants previous workshops<br /><a href="http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/" target="_blank">http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/</a></p> <p>Website<br /><a href="http://www.jannekevanderputten.nl/" target="_blank">www.jannekevanderputten.nl</a></p> <p>Social Media<br /><a href="https://www.facebook.com/jannekevanderputten.nl/" target="_blank">https://www.facebook.com/jannekevanderputten.nl/</a></p> <p>&nbsp;</p> <p>Biography</p> <p>Janneke van der Putten (Amsterdam, 1985) is a visual artist and vocalist based in Rotterdam. Her practice involves experiences of listening, performances, sound and video, documentations in image/text/textile, workshops, music projects, and creating platforms for cultural exchange. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. Engaging with specific sites and local contexts, and through her personal experiences, she investigates (human) responses to her surroundings, and their relation to natural phenomena and transitions, such as the sunrise.</p> <p>She graduated with a BDes from TXT (Textile), Gerrit Rietveld Academy (Amsterdam, 2003 &ndash; 2009) and completed her MMus in Artistic Research, Royal Academy of Art &amp; Royal Conservatoire (The Hague, 2011 &ndash; 2013). Van der Putten trained in classical North-Indian Dhrupad singing with Amelia Cuni and Marianne Sva&scaron;ek (Berlin &amp; Rotterdam, 2009 &ndash; 2014) and is autodidact in various extended vocal techniques. She is co-curator of the Aloardi Exchange Programme, inviting Peruvian artists to present their work in the Schengen Area (2016 &ndash; 2017). The project &lsquo;Invisible Architecture&rsquo; with Christian&nbsp;Galarreta, for which they published a vinyl in 2014, has been presented at amongst others exhibition Make the Audition: Meetings Between Art and Sound in Peru, Museo de Arte Contempor&aacute;neo (Lima, 2016) and nxnwfestival (Cologne, 2015). She was artist-in-residence at the Centre international d&rsquo;art et du paysage (&Icirc;le de Vassivi&egrave;re, 2014), and exhibited with solo shows All Begins With A at TENT (Rotterdam, 2015), Directed to the Sun in Quartier am Hafen (Cologne, 2017) and Quitsa at CINNNAMON (Rotterdam, 2017). Upcoming will be a fellowship at Akademie Schloss Solitude (Stuttgart, 2019).&nbsp;</p> <p>&nbsp;</p> <p>Janneke van der Putten&rsquo;s travel to Austria is supported by CBK Rotterdam (Centre for Visual Arts Rotterdam).</p> <div><img src="http://bb15.at/f/termine/Workshop_Voice_and_Space/CBK%20logo%20RGB_100.jpg" alt="" /></div> <![CDATA[ Workshop - Voice and Space ]]> urn:uuid:bb15/at/termine/Workshop_Voice_and_Space 2018-04-20T19:42:59Z <h1>Workshop - Voice and Space <small>Janneke van der Putten</small></h1><br /><div class='when'>Wann? <span>03.06.2018</span></div><div class='where'>Wo? <span>bb15/public space</span></div><br /><br /><p><img src="/f/termine/Workshop_Voice_and_Space/workshop voice and space_photo 3 Jari Ortwig_Cologne 2017_660.jpg" alt="" /><span>(Quartier am Hafen, Cologne in 2017) copyright&nbsp;</span><span>Jari Ortwig</span></p> <p>For more than ten years Janneke van der Putten's own voice has been an essential medium for her interactions with landscape, space and contexts, in connection with e.g. natural phenomena, mythologies, cycles and time. In addition to her studies of textile design and Artistic Research Janneke van der Putten learned the North Indian singing "Dhrupad" with Amelia Cuni and Marianne Sva&scaron;ek in Berlin and Rotterdam. The learned technique has been essential for her understanding of the voice as a physical experience and less as a medium for speech or even singing. &ndash; "How can I travel with my voice, my jaw, tongue, spittle, and breath?"</p> <p>This workshop explores the voice in relation to a spatial experience. Through a Deep Listening session and blind-folded sound walk we will explore our senses and become more aware of our own body, movements and sounds. We will continue with a simple body warm up followed up by a basic vocal exercise. The workshop will consist of group interventions and performances, exploring the acoustics and characteristics of the space, using amongst other our own voices. We will reflect in drawing and conversation.</p> <p>No prior singing experience is needed. Please bring comfortable clothes, gymnastic mats or blankets. Participation fee is &euro;5.</p> <p>The Workshop will take place on the 3rd of June from 2 to 6:30pm with a public presentation at 6pm.</p> <p>Please send registrations for the workshop with a short motivation to:</p> <p>info@jannekevanderputten.nl</p> <p>&nbsp;</p> <p>Links:</p> <p>Previous workshops<br /><a href="http://jannekevanderputten.nl/tag/workshops/" target="_blank">http://jannekevanderputten.nl/tag/workshops/</a></p> <p>Reactions participants previous workshops<br /><a href="http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/" target="_blank">http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/</a></p> <p>Website<br /><a href="http://www.jannekevanderputten.nl" target="_blank">www.jannekevanderputten.nl</a></p> <p>Social Media<br /><a href="https://www.facebook.com/jannekevanderputten.nl/" target="_blank">https://www.facebook.com/jannekevanderputten.nl/</a></p> <p>&nbsp;</p> <p>Biography</p> <p>Janneke van der Putten (Amsterdam, 1985) is a visual artist and vocalist based in Rotterdam. Her practice involves experiences of listening, performances, sound and video, documentations in image/text/textile, workshops, music projects, and creating platforms for cultural exchange. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. Engaging with specific sites and local contexts, and through her personal experiences, she investigates (human) responses to her surroundings, and their relation to natural phenomena and transitions, such as the sunrise.</p> <p>She graduated with a BDes from TXT (Textile), Gerrit Rietveld Academy (Amsterdam, 2003 &ndash; 2009) and completed her MMus in Artistic Research, Royal Academy of Art &amp; Royal Conservatoire (The Hague, 2011 &ndash; 2013). Van der Putten trained in classical North-Indian Dhrupad singing with Amelia Cuni and Marianne Sva&scaron;ek (Berlin &amp; Rotterdam, 2009 &ndash; 2014) and is autodidact in various extended vocal techniques. She is co-curator of the Aloardi Exchange Programme, inviting Peruvian artists to present their work in the Schengen Area (2016 &ndash; 2017). The project &lsquo;Invisible Architecture&rsquo; with Christian&nbsp;Galarreta, for which they published a vinyl in 2014, has been presented at amongst others exhibition Make the Audition: Meetings Between Art and Sound in Peru, Museo de Arte Contempor&aacute;neo (Lima, 2016) and nxnwfestival (Cologne, 2015). She was artist-in-residence at the Centre international d&rsquo;art et du paysage (&Icirc;le de Vassivi&egrave;re, 2014), and exhibited with solo shows All Begins With A at TENT (Rotterdam, 2015), Directed to the Sun in Quartier am Hafen (Cologne, 2017) and Quitsa at CINNNAMON (Rotterdam, 2017). Upcoming will be a fellowship at Akademie Schloss Solitude (Stuttgart, 2019).&nbsp;</p> <p>&nbsp;</p> <p>Janneke van der Putten&rsquo;s travel to Austria is supported by CBK Rotterdam (Centre for Visual Arts Rotterdam).</p> <div><img src="/f/termine/Workshop_Voice_and_Space/CBK logo RGB_100.jpg" alt="" /></div> <![CDATA[ Wavering Worlds #11 ]]> urn:uuid:bb15/at/termine/Wavering_Worlds_11_Cyborg_Art_Collective_-_Project_Key_Code 2018-04-16T21:35:59Z <h1>Wavering Worlds #11 <small>Cyborg Art Collective - Project Key Code</small></h1><br /><div class='when'>Wann? <span>23.04.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><p><strong>Sound Performance</strong><br />April 23rd, 19:30</p> <p><img src="/f/termine/Wavering_Worlds_11_Cyborg_Art_Collective_-_Project_Key_Code/General Discrp (verschoben).png" alt="" width="599" height="306" /></p> <p>In everyday life, social media platforms have become a fundamental means of communication. Within Facebook, Twitter and Whatsapp for example, dialogs primarily take place as texts, where the emotional context usually associated with the intonation of spoken words is missing. Project Key Code is a multidisciplinary collaboration that questions the way information is conveyed over digital platforms. In this research, by rethinking the design and use of the computer keyboard, Cyborg Art Collective aims at providing an extra musical layer to digital dialogs. The performers type messages expressing their emotions, using a hybrid between musical composition and conversation.<br /><br />The Cyborg Art Collective is a multidisciplinary group with dynamic cooperative characteristics and do not operate from a fixed location. In their projects, they question conventional technologies and everyday life through philosophical and scientific approach. <br />http://CyArCo.com</p> <p>Wavering Worlds<span style="font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-indent: 0px; text-transform: none; white-space: pre-wrap; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: system-ui, -apple-system, system-ui, &quot;.SFNSText-Regular&quot;, sans-serif; color: #1d2129;"><br /></span>The series provides a platform for local and international artists/musicians, who oscillate between various musical and artistic genres. Within the framework of "Wavering Worlds", multiple forms of multi-media performances and concerts are presented.</p>