bb15 Termine bb15 urn:uuid:bb15/at <![CDATA[ Relegation_Flexus ]]> urn:uuid:bb15/at/termine/Relegation 2018-09-19T13:32:40Z <h1>Relegation_Flexus <small>Catherine Lorent</small></h1><br /><div class='when'>Wann? <span>02.10.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"><strong>Exhibition Opening and Performance</strong><br />October 2nd, 19:30 <div class="layoutArea"> <div class="column"> <p><strong>Opening Hours</strong><br />October 3rd &ndash; 5rd, 15:00 - 19:00</p> <p>With Relegation the Luxembourg artist Catherine Lorent translates complex Baroque strategies into a total work of art, creating an audio-visual environment for the bb15. This work is an adapted version of a series, which she developed for the Luxembourg pavilion of the 55th Biennale in Venice 2013.</p> <p>"It is literally an immersion into what I would call a constellation, an atmospheric space. In any case, Relegation simultaneously engages the eye and the ear; there is no gap between the two. Nothing is detached or deferred. Everything is open and instantaneous. What I try to create is an immediate emotion.&rdquo; (Catherine Lorent)</p> <p>curated by Daniela Wageneder-Stelzhammer</p> </div> </div> </div> <p><img src="/f/termine/Relegation/Visual Linz2.jpg" alt="" width="600" height="709" /></p> <p>Guitar Constellation - Der alte Weg, 2013</p> <p>ink, mixed techniques, Gibson Explorer<br />customized on paper 147 x 117,5 cm<br />Photo: Artothek Cologne</p> <div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p>Sponsored by</p> <p><img src="/f/termine/Relegation/91c37293a31cf7de148b8849f8c8502f.jpeg" alt="" width="71" height="46" />&nbsp;&nbsp;&nbsp; <img src="/f/termine/Relegation/CHARTE_GRAPHIQUE_FOCUNA.jpg" alt="" width="105" height="52" /></p> </div> </div> </div> <![CDATA[ The Dis/ease/s of the Ear ]]> urn:uuid:bb15/at/termine/Black_Seas_Anti-Wave 2018-06-26T10:55:54Z <h1>The Dis/ease/s of the Ear <small>Steve Bates, Kristen Roos</small></h1><br /><div class='when'>Wann? <span>26.06.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 2"> <div class="layoutArea"> <div class="column"> <p><strong>Exhibition Opening and Performance</strong><br />June 26th, 19:30</p> <p><strong>Opening Hours</strong><br />June 27th &ndash; July 3rd, 15:00 - 18:00 <br />Saturday / Sunday closed</p> <p><img src="/f/termine/Black_Seas_Anti-Wave/EaseOfEarpic.jpg" alt="" width="639" height="357" /></p> <div class="column"><br /></div> <div class="column"><strong>Steve Bates</strong> is an artist and musician living in Montr&eacute;al. His work listens to boundaries and borders,<br />points of contact and conflict. Thresholds are explored, stretched and, at times, completely broken.<br />Information and signal feed back onto themselves creating new situations and events. The sonic is the<br />starting point for his projects which are evocations of communication networks and systems, or<br />expressions of spatial and temporal experience. He frequently uses sound material that is site-specific in<br />an attempt to uncover place and how the sonic effects our experience of site. His work has been<br />exhibited in Canada, Chile, Europe and Senegal. He works in the field, on the air, in museological/gallery<br />and performance contexts. These shifting territories reflect the content of his practice.</div> <div class="column"><br /></div> <div class="column"><strong>Black Seas </strong>is an ongoing project influenced by historical and contemporary experiences of auditory<br />hallucination. This growing body of work includes performance, installation, video, transmission, objects<br />and materials. It consults documents from literature, cognitive science, early experimental psychiatry,<br />philosophy and religious studies, telecommunications and sound studies, 18th century psychic journals,<br />horror films, and shared stories and oral histories. It is a project about listening to noise through desire,<br />agency and otherness.</div> <div class="column"><br />For the exhibition at bb15, Bates will install an assemblage of some of the work produced to date.</div> <div class="column"><br />With Black Seas I became fascinated with how a sound could exist and simultaneously not exist. Of a<br />radical interiority and how it meets an exterior. Of all the hearers, is a project about a weird listening. A<br />listening, as Mark Fisher described it when theorizing the weird and the eerie via H.P. Lovecraft, where<br />two worlds are brought together; the external and the internal. A weird listening is one that &ldquo;lies beyond<br />standard perception, cognition, and experience.&rdquo;</div> <div class="column"><br /></div> <div class="column">More info:</div> <div class="column"><a href="http://www.stevebates.info/" target="_blank">http://www.stevebates.info/</a><br /><a href="http://www.stevebates.info/" target="_blank">https://vimeo.com/225275550</a></div> <div class="column"><br /></div> </div> <div class="column"><br /></div> <div class="column"><br /></div> <div class="column"><strong>Kristen Roos</strong> is a Vancouver based artist whose practice includes site-specific installations, performance, and sound design for dance.<span style="font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; color: #1d2129;"> Kristen holds a BFA from Concordia University and an MFA from the University of Victoria. His writing on sound and radio art appears in the Radius GRIDS booklet published by Half Letter Press (Chicago), the Errant Bodies publication Radio</span><span style="font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; color: #1d2129;"> Territories (Berlin) and the New Star Books publication Islands of Resistance: Pirate Radio in Canada (Vancouver).</span></div> <div class="column"><br /><strong>Anti-Wave </strong>examines the silent electromagnetic transmissions that are ubiquitous today. These inaudible frequencies are received with devices that recognize them not as information, but as something similar to the unwanted sounds that were heard in early radio reception. A hidden infrastructure is revealed by translating these frequencies into audible sounds -&nbsp; a process that dissects the wireless devices that embody our lives and examines the relationships between people and the objects that inhabit their daily rituals. The installation allows new daily rituals to be created, through the use of textiles which block the frequencies emitted by wireless devices, drawing attention to possible health effects and emf hypersensitivity.</div> <div class="column"><br /></div> <div class="column">More info:<br style="color:#1d2129;font-family:&quot;Helvetica Neue&quot;,Helvetica,Arial,sans-serif;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:#ffffff;text-decoration-style:initial;text-decoration-color:initial" /> <a style="color: #365899; text-decoration: none; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: #ffffff;" href="http://www.kristenroos.com/" target="_blank">http://www.kristenroos.com/</a></div> <div class="column"><br /></div> </div> </div> <![CDATA[ SUBSUMME - online Spiel let's play LIVE - Folge 2 (eastereggs, favorite spots, trivia) ]]> urn:uuid:bb15/at/termine/SUBSUMME_-_online_Spiel_let_s_play_LIVE_-_Folge_2_eastereggs_favorite_spots_trivia_ 2018-05-27T08:10:24Z <h1>SUBSUMME - online Spiel let's play LIVE - Folge 2 (eastereggs, favorite spots, trivia) <small>ekw14,90</small></h1><br /><div class='when'>Wann? <span>19.06.2018 19:30</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><div class="page" title="Page 2">Event:<strong><br />Dienstag, 19.6.2018 </strong> <div class="layoutArea"> <div class="column"> <p>Einlass: 19:30 <br />Liveübertragung: 20:15</p> <p>*SUBSUMME*, ursprünglich ein Telefonvermittlungshörstück, dann ein online Spiel, später auch ein Buch mit begleitenden Lesungen...Jetzt, als letztes Aufbäumen, als Tüpfelchen auf dem Verwertungs-i, in die Postinternet-Form eines live let's play aus Zürich gegossen.</p> <p>Für Interessierte, die es nicht schaffen ins bb15 zu kommen, gibt es das live let's play auch ortsungebunden auf Youtube: https://tinyurl.com/ekw1490youtube</p> <p>Das Buch *SUBSUMME - ein Lesedrama* kann man am Abend des Events auch kaufen.</p> <img src="/f/termine/SUBSUMME_-_online_Spiel_let_s_play_LIVE_-_Folge_2_eastereggs_favorite_spots_trivia_/SUJET-Flyer-bb15.jpg" alt="" width="650" height="454" /></div> </div> </div> <![CDATA[ Wavering Worlds #12 ]]> urn:uuid:bb15/at/termine/Wavering_Worlds_12 2018-05-11T07:25:08Z <h1>Wavering Worlds #12 <small>Janneke van der Putten - Un/natural Fields</small></h1><br /><div class='when'>Wann? <span>05.06.2018 19:30</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><p><strong>Sound Performance</strong><br />June 5th, 7:30 pm</p> <p>&nbsp;</p> <p><strong>Janneke van der Putten</strong></p> <p>Janneke van der Putten creates performances where she uses her voice as a physical and sonic material. Singing with different extended techniques, her performances are inspired by rich sound textures. Listening to their minimal changes and variations and responding to the acoustics of the space, Van der Putten works with the (un)controllable possibilities of her instrument. Often the performances are done without electronic amplification in a resonant place.</p> <p><img src="/f/termine/Wavering_Worlds_12/deel 3_photo TAAK - Cobra Museum_performance Janneke van der Putten_2017_web.jpg" alt="" /></p> <p style="margin-bottom: 0in;"><a href="http://jannekevanderputten.nl/" target="_blank"><em>http://jannekevanderputten.nl/</em></a></p> <p style="margin-bottom: 0in;">&nbsp;</p> <p style="margin-bottom: 0in;"><em><strong>Un/natural Fields</strong></em></p> <p style="margin-bottom: 0in;"><em>Un/natural Fields </em>is a new project in which Michael McDermott and William <span style="font-family: Helvetica, sans-serif;">"</span>Bilwa<span style="font-family: Helvetica, sans-serif;">"</span> Costa juxtapose two solo projects, the organic imagined landscapes of the McDermott's <em>Echozoo</em> works in progress and Costa&rsquo;s u<em>nnatural field recordings</em>. Together they create an imaginary listening experience akin to magical realism.</p> <p style="margin-bottom: 0in;"><img src="/f/termine/Wavering_Worlds_12/unnatural_fields_01.jpg" alt="" /></p> <p style="margin-bottom: 0in;">Audio: <em><a href="https://soundcloud.com/bilwa/sets/un-natural-fields" target="_blank">https://soundcloud.com/bilwa/sets/un-natural-fields</a></em></p> <p><br />Michael McDermott</p> <p style="margin-bottom: 0in;">Composer / sound artist Michael McDermott is currently working on a multi-year sonic design project recreating the sounds of extinct animals and environment called <em>Echozoo</em>. Part of this project has involved extended artist residencies in North and South America, Europe and Asia field recording biophonic and geophonic environments for use in sound designing <em>Echozoo</em>. His hope with this project is bring a deeper awareness and connection through listening by imagining the sounds of creatures that no longer live on our planet. Part of the process involves performing and presenting evolving landscapes of these recorded and manipulated environments. The processing of these field recordings implements McDermott&rsquo;s &ldquo;Sonic Photography&rdquo; techniques which include: filtering colors / density, transparency, space, modulation (time based), pitch, shape (edges), duration, augmentation, perspective. For concerts these techniques are applied real-time in an improvised performance.</p> <p style="margin-bottom: 0in;"><em><a href="http://mikronesia.com" target="_blank">mikronesia.com<br /><br /></a></em></p> <p style="margin-bottom: 0in;">William <span style="font-family: Helvetica, sans-serif;">"</span>Bilwa<span style="font-family: Helvetica, sans-serif;">"</span> Costa</p> <p style="margin-bottom: 0in;"><em>unnatural field recordings</em>&nbsp;are recordings comprised of man-made, digital, analogue, and mechanical sounds, as well as many other incidental sounds, which make up a city's soundscape on metros and in public spaces. The palette of sounds is ever changing, and include recordings from various cities including: Istanbul, Mexico City, Shanghai, Beijing, Tokyo, NY, Berlin, Vienna, Prague, etc. William "Bilwa" Costa is a Berlin-based sound artist, experimental musician, performer, and composer.</p> <p style="margin-bottom: 0in;"><em><a href="https://williambilwacosta.com" target="_blank">williambilwacosta.com</a></em></p> <p style="margin-bottom: 0in;">&nbsp;</p> <p><strong>Wavering Worlds</strong></p> <p>The series provides a platform for local and international artists/musicians, who oscillate between various musical and artistic genres. Within the framework of "Wavering Worlds", multiple forms of multi-media performances and concerts are presented.</p> <p>&nbsp;</p> <p><em>Van der Putten&rsquo;s travel to Austria is made possible with the support of</em><span>&nbsp;CBK Rotterdam (Centre for Visual Arts Rotterdam).&nbsp;<img src="/f/termine/CBK logo RGB_100.jpg" alt="" /></span></p> <![CDATA[ Presentation - Voice and Space ]]> urn:uuid:bb15/at/termine/Presentation-_Voice_and_Space 2018-04-12T16:54:34Z <h1>Presentation - Voice and Space <small>Janneke van der Putten</small></h1><br /><div class='when'>Wann? <span>03.06.2018 18:00</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><p>Final public presentation of the previous workshop.<br />Doors open 5:45, start at 6pm.</p> <p>For more than ten years Janneke van der Putten's own voice has been an essential medium for her interactions with landscape, space and contexts, in connection with e.g. natural phenomena, mythologies, cycles and time. In addition to her studies of textile design and Artistic Research Janneke van der Putten learned the North Indian singing "Dhrupad" with Amelia Cuni and Marianne Sva&scaron;ek in Berlin and Rotterdam. The learned technique has been essential for her understanding of the voice as a physical experience and less as a medium for speech or even singing. &ndash; "How can I travel with my voice, my jaw, tongue, spittle, and breath?"</p> <p>Links:</p> <p>Previous workshops<br /><a href="http://jannekevanderputten.nl/tag/workshops/" target="_blank">http://jannekevanderputten.nl/tag/workshops/</a></p> <p>Reactions participants previous workshops<br /><a href="http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/" target="_blank">http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/</a></p> <p>Website<br /><a href="http://www.jannekevanderputten.nl/" target="_blank">www.jannekevanderputten.nl</a></p> <p>Social Media<br /><a href="https://www.facebook.com/jannekevanderputten.nl/" target="_blank">https://www.facebook.com/jannekevanderputten.nl/</a></p> <p>&nbsp;</p> <p>Biography</p> <p>Janneke van der Putten (Amsterdam, 1985) is a visual artist and vocalist based in Rotterdam. Her practice involves experiences of listening, performances, sound and video, documentations in image/text/textile, workshops, music projects, and creating platforms for cultural exchange. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. Engaging with specific sites and local contexts, and through her personal experiences, she investigates (human) responses to her surroundings, and their relation to natural phenomena and transitions, such as the sunrise.</p> <p>She graduated with a BDes from TXT (Textile), Gerrit Rietveld Academy (Amsterdam, 2003 &ndash; 2009) and completed her MMus in Artistic Research, Royal Academy of Art &amp; Royal Conservatoire (The Hague, 2011 &ndash; 2013). Van der Putten trained in classical North-Indian Dhrupad singing with Amelia Cuni and Marianne Sva&scaron;ek (Berlin &amp; Rotterdam, 2009 &ndash; 2014) and is autodidact in various extended vocal techniques. She is co-curator of the Aloardi Exchange Programme, inviting Peruvian artists to present their work in the Schengen Area (2016 &ndash; 2017). The project &lsquo;Invisible Architecture&rsquo; with Christian&nbsp;Galarreta, for which they published a vinyl in 2014, has been presented at amongst others exhibition Make the Audition: Meetings Between Art and Sound in Peru, Museo de Arte Contempor&aacute;neo (Lima, 2016) and nxnwfestival (Cologne, 2015). She was artist-in-residence at the Centre international d&rsquo;art et du paysage (&Icirc;le de Vassivi&egrave;re, 2014), and exhibited with solo shows All Begins With A at TENT (Rotterdam, 2015), Directed to the Sun in Quartier am Hafen (Cologne, 2017) and Quitsa at CINNNAMON (Rotterdam, 2017). Upcoming will be a fellowship at Akademie Schloss Solitude (Stuttgart, 2019).&nbsp;</p> <p>&nbsp;</p> <p>Janneke van der Putten&rsquo;s travel to Austria is supported by CBK Rotterdam (Centre for Visual Arts Rotterdam).</p> <div><img src="http://bb15.at/f/termine/Workshop_Voice_and_Space/CBK%20logo%20RGB_100.jpg" alt="" /></div> <![CDATA[ Workshop - Voice and Space ]]> urn:uuid:bb15/at/termine/Workshop_Voice_and_Space 2018-04-20T19:42:59Z <h1>Workshop - Voice and Space <small>Janneke van der Putten</small></h1><br /><div class='when'>Wann? <span>03.06.2018</span></div><div class='where'>Wo? <span>bb15/public space</span></div><br /><br /><p><img src="/f/termine/Workshop_Voice_and_Space/workshop voice and space_photo 3 Jari Ortwig_Cologne 2017_660.jpg" alt="" /><span>(Quartier am Hafen, Cologne in 2017) copyright&nbsp;</span><span>Jari Ortwig</span></p> <p>For more than ten years Janneke van der Putten's own voice has been an essential medium for her interactions with landscape, space and contexts, in connection with e.g. natural phenomena, mythologies, cycles and time. In addition to her studies of textile design and Artistic Research Janneke van der Putten learned the North Indian singing "Dhrupad" with Amelia Cuni and Marianne Sva&scaron;ek in Berlin and Rotterdam. The learned technique has been essential for her understanding of the voice as a physical experience and less as a medium for speech or even singing. &ndash; "How can I travel with my voice, my jaw, tongue, spittle, and breath?"</p> <p>This workshop explores the voice in relation to a spatial experience. Through a Deep Listening session and blind-folded sound walk we will explore our senses and become more aware of our own body, movements and sounds. We will continue with a simple body warm up followed up by a basic vocal exercise. The workshop will consist of group interventions and performances, exploring the acoustics and characteristics of the space, using amongst other our own voices. We will reflect in drawing and conversation.</p> <p>No prior singing experience is needed. Please bring comfortable clothes, gymnastic mats or blankets. Participation fee is &euro;5.</p> <p>The Workshop will take place on the 3rd of June from 2 to 6:30pm with a public presentation at 6pm.</p> <p>Please send registrations for the workshop with a short motivation to:</p> <p>info@jannekevanderputten.nl</p> <p>&nbsp;</p> <p>Links:</p> <p>Previous workshops<br /><a href="http://jannekevanderputten.nl/tag/workshops/" target="_blank">http://jannekevanderputten.nl/tag/workshops/</a></p> <p>Reactions participants previous workshops<br /><a href="http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/" target="_blank">http://jannekevanderputten.nl/work/reactions-workshop-voice-and-space/</a></p> <p>Website<br /><a href="http://www.jannekevanderputten.nl" target="_blank">www.jannekevanderputten.nl</a></p> <p>Social Media<br /><a href="https://www.facebook.com/jannekevanderputten.nl/" target="_blank">https://www.facebook.com/jannekevanderputten.nl/</a></p> <p>&nbsp;</p> <p>Biography</p> <p>Janneke van der Putten (Amsterdam, 1985) is a visual artist and vocalist based in Rotterdam. Her practice involves experiences of listening, performances, sound and video, documentations in image/text/textile, workshops, music projects, and creating platforms for cultural exchange. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. Engaging with specific sites and local contexts, and through her personal experiences, she investigates (human) responses to her surroundings, and their relation to natural phenomena and transitions, such as the sunrise.</p> <p>She graduated with a BDes from TXT (Textile), Gerrit Rietveld Academy (Amsterdam, 2003 &ndash; 2009) and completed her MMus in Artistic Research, Royal Academy of Art &amp; Royal Conservatoire (The Hague, 2011 &ndash; 2013). Van der Putten trained in classical North-Indian Dhrupad singing with Amelia Cuni and Marianne Sva&scaron;ek (Berlin &amp; Rotterdam, 2009 &ndash; 2014) and is autodidact in various extended vocal techniques. She is co-curator of the Aloardi Exchange Programme, inviting Peruvian artists to present their work in the Schengen Area (2016 &ndash; 2017). The project &lsquo;Invisible Architecture&rsquo; with Christian&nbsp;Galarreta, for which they published a vinyl in 2014, has been presented at amongst others exhibition Make the Audition: Meetings Between Art and Sound in Peru, Museo de Arte Contempor&aacute;neo (Lima, 2016) and nxnwfestival (Cologne, 2015). She was artist-in-residence at the Centre international d&rsquo;art et du paysage (&Icirc;le de Vassivi&egrave;re, 2014), and exhibited with solo shows All Begins With A at TENT (Rotterdam, 2015), Directed to the Sun in Quartier am Hafen (Cologne, 2017) and Quitsa at CINNNAMON (Rotterdam, 2017). Upcoming will be a fellowship at Akademie Schloss Solitude (Stuttgart, 2019).&nbsp;</p> <p>&nbsp;</p> <p>Janneke van der Putten&rsquo;s travel to Austria is supported by CBK Rotterdam (Centre for Visual Arts Rotterdam).</p> <div><img src="/f/termine/Workshop_Voice_and_Space/CBK logo RGB_100.jpg" alt="" /></div> <![CDATA[ Wavering Worlds #11 ]]> urn:uuid:bb15/at/termine/Wavering_Worlds_11_Cyborg_Art_Collective_-_Project_Key_Code 2018-04-16T21:35:59Z <h1>Wavering Worlds #11 <small>Cyborg Art Collective - Project Key Code</small></h1><br /><div class='when'>Wann? <span>23.04.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><p><strong>Sound Performance</strong><br />April 23rd, 19:30</p> <p><img src="/f/termine/Wavering_Worlds_11_Cyborg_Art_Collective_-_Project_Key_Code/General Discrp (verschoben).png" alt="" width="599" height="306" /></p> <p>In everyday life, social media platforms have become a fundamental means of communication. Within Facebook, Twitter and Whatsapp for example, dialogs primarily take place as texts, where the emotional context usually associated with the intonation of spoken words is missing. Project Key Code is a multidisciplinary collaboration that questions the way information is conveyed over digital platforms. In this research, by rethinking the design and use of the computer keyboard, Cyborg Art Collective aims at providing an extra musical layer to digital dialogs. The performers type messages expressing their emotions, using a hybrid between musical composition and conversation.<br /><br />The Cyborg Art Collective is a multidisciplinary group with dynamic cooperative characteristics and do not operate from a fixed location. In their projects, they question conventional technologies and everyday life through philosophical and scientific approach. <br />http://CyArCo.com</p> <p>Wavering Worlds<span style="font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-indent: 0px; text-transform: none; white-space: pre-wrap; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none; font-family: system-ui, -apple-system, system-ui, &quot;.SFNSText-Regular&quot;, sans-serif; color: #1d2129;"><br /></span>The series provides a platform for local and international artists/musicians, who oscillate between various musical and artistic genres. Within the framework of "Wavering Worlds", multiple forms of multi-media performances and concerts are presented.</p> <![CDATA[ As long as there is time to sleep ]]> urn:uuid:bb15/at/termine/As_long_as_there_is_time_to_sleep1 2018-04-24T10:02:07Z <h1>As long as there is time to sleep <small>Yoojin Lee</small></h1><br /><div class='when'>Wann? <span>10.04.2018 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><div class="page" title="Page 1"> <div class="section" style="background-color: rgb(100.000000%, 100.000000%, 100.000000%);"><a data-flickr-embed='true' href='https://www.flickr.com/photos/bb15-offspace/albums/72157668174262238'><img src='https://c1.staticflickr.com/3/2919/33187485514_f28918643e_z.jpg' width='640' height='480' alt=''></a><script async src='//embedr.flickr.com/assets/client-code.js' charset='utf-8'></script></div> <div class="section" style="background-color: rgb(100.000000%, 100.000000%, 100.000000%);"><br /></div> <div class="section" style="background-color: rgb(100.000000%, 100.000000%, 100.000000%);"><em>&lsquo;It started from being a night owl.&rsquo; </em></div> <div class="section" style="background-color: rgb(100.000000%, 100.000000%, 100.000000%);"> <div class="layoutArea"> <div class="column"> <p>Sleep is, naturally, incompatible with what the world of uninterrupted operation demands and promotes as an ideal norm. It is overlooked and everyday, to such a degree that it could be presented as banal and sinful. Yet this biological banality common to all living animals has an intrinsic potential. It defies being logically understood and utilized. It is a quiet, unnoticed form of resistance that happens individually but is shared in its universality. It remains as a sign of shared time, participating in the world by its mere being there. A sleeping body, a sleeping being, is vulnerable and intimate. And very present.</p> <p>What does a sleeping being become against the backdrop of a world that is lit 24 hours? What does this state of repose mean when there is no time to pause? How can one exist as a sleeping thing? Can one dream of hibernation and its potentialities? What does it mean to have an asynchronous biological clock? What lullaby could one sing?</p> <p>Based on her publication As long as there is time to sleep (2016), Yoojin Lee composed a body of works that takes its chapters as points of entry into the fluctuating textures of sleep:<br /> 0.. Lie down: a prelude<br /> 1.. Introduction<br />2.. Artificial stars<br />3.. SLEEPY&rsquo;S<br /> 4.. I like to stay horizontal<br /> 5.. Who falls asleep?<br /> 6.. To sleep in a world without lullaby<br /> Intermission..<br /> 7.. While there&rsquo;s still time<br /> 8.. Dormant buds on twigs<br /> 9.. Ostriches are diurnal but may be active on moonlit nights</p> <p>Yoojin Lee is interested in ways of being set against the ways of being we are given. She likes to sleep a lot and take long walks in the nighttime. She graduated from Gerrit Rietveld Academie, Amsterdam, in 2016 and is currently based in London. <br /><a href="http://www.nijooy.com/" target="_blank">http://www.nijooy.com/</a></p> <div><span style="font-size: 11pt; line-height: 115%;" lang="UZ-CYR">As a part and an extension of the show, radio broadcasts will take place&nbsp;</span><span style="font-size: 11pt;">on </span><a style="font-size: 11pt;" href="https://jajajaneeneenee.com/" target="_blank">Ja Ja Ja Nee Nee Nee</a><span style="font-size: 11pt;"> (Amsterdam), </span><a style="font-size: 11pt;" href="https://www.fro.at/" target="_blank">Radio Fro</a><span style="font-size: 11pt;"> (Linz) and </span><a style="font-size: 11pt;" href="http://roundedradio.com/" target="_blank">Rounded Radio</a><span style="font-size: 11pt;"> (London).</span></div> </div> </div> </div> </div> <![CDATA[ Searchlights ]]> urn:uuid:bb15/at/termine/Tales_from_the_Oral_Imaginar 2018-04-24T10:02:22Z <h1>Searchlights <small>Susannah Stark</small></h1><br /><div class='when'>Wann? <span>30.01.2018 19:30 - 06.02.2018</span></div><div class='where'>Wo? <span>bb15</span></div><br /><br /><p><a data-flickr-embed='true' href='https://www.flickr.com/photos/bb15-offspace/albums/72157663757007837'><img src='https://c1.staticflickr.com/3/2919/33187485514_f28918643e_z.jpg' width='640' height='480' alt=''></a><script async src='//embedr.flickr.com/assets/client-code.js' charset='utf-8'></script></p> <div class="page" title="Page 2"> <div class="layoutArea"> <div class="column">Susannah Stark focuses on the mystical qualities of the voice and its placement in urban spaces, to question how images are used in a technology-driven, digital and capitalist culture. She has an interest in the mouth as modulator which shapes and organises culture, both as a bodily organ and a machine. With many works questioning how voices function and are conventionally used within the context of public space, she re-inhabits popular narrative and song to challenge material hierarchies. Often involving collaboration and inspired by writings on the ancient greek Cynics - she merges the economic, cultural, spiritual and personal into a narration of the contradictions of contemporary living, using digital media, sound, and song.</div> <div class="column"><br /><a href="http://susannahstark.com/ " target="_blank">http://susannahstark.com/ </a><br /><br /><br /><br /><br /></div> </div> </div> <![CDATA[ ∆∏ ̇·^¬ Devices Presentation / Concert ]]> urn:uuid:bb15/at/termine/_Devices_-_Marloes_van_Son_Workshop1 2018-01-12T11:00:12Z <h1>∆∏ ̇·^¬ Devices Presentation / Concert <small>Marloes van Son</small></h1><br /><div class='when'>Wann? <span>12.12.2017 19:30</span></div><div class='where'>Wo? <span></span></div><br /><br /><p><strong>Presentation / Concert</strong><br />12th December 2017, 19:30</p> <p><a data-flickr-embed='true' href='https://www.flickr.com/photos/bb15-offspace/albums/72157692145216105'><img src='https://c1.staticflickr.com/3/2919/33187485514_f28918643e_z.jpg' width='640' height='480' alt=''></a><script async src='//embedr.flickr.com/assets/client-code.js' charset='utf-8'></script></p> <p>Marloes van Son builds systems, installations and instruments. The electromechanical objects that she develops explore natural phenomena and everyday appliances. By repurposing ordinary objects she aims to create unusual, yet familiar experiences. Her recent work focuses on sound compositions, alternative scores and instrument building.<br />www.marloesvanson.nl</p> <p>There will be a workshop for 10-12 participants with Marloes van Son on 8th and 9th of December 2017.<br /> Participants can explore experimental sound devices by building their own versions. The results will be presented as a collaborative performance on 12th December 2017,19:30.</p> <p>Please sign up for the workshop here: office@bb15.at</p> <p><img src="/f/termine/_Devices_-_Marloes_van_Son_Workshop1/Marloe web1.jpg" alt="" /></p>